Brisingr : Book Review

(This review might contain some spoilers, but hey, where have you been if you’ve not read this one already?)

Brisingr- Christopher Paolini
Brisingr- Christopher Paolini

I’ve always had mixed feelings about the Inheritance series books. On one hand, I greatly admire the fact that Paolini was a young teenager when he started out and created a commendable piece of work in fantasy fiction, but at one hand he shows a complete lack of effort to improve his writing style and storytelling techniques.
In the third, and not the final book of the Inheritance Cycle, Paolini continues where the second book Eldest left off. The battle of Burning Plains has come to an end and Eragon and his cousin Roran are out to rescue Roran’s beloved Katrina from the clutches of the Ra’zac- a deadly treacherous beast under Galbatorix’s command who were also responsible for killing their father Garrow and ruining their lives in Carvahall.

During their rescue mission, Eragon comes across Sloan, Katrina’s father and the butcher who had betrayed them to the Ra’zac for his daughter. Here Eragon faces a moral dilemma as to when he feels he should kill Sloan for the murders he had caused but at the same time doesn’t want to become a law unto himself. Paolini meanders for a good 100 pages for this quandary and brings in an unnecessary detour in the story.

The story progresses to show Roran fighting with the Varden, having to proving his worth again and again before he can lead an army under his command.  Meanwhile Eragon has another face-off with  Murtagh his half brother and Thorn; returns to the Beor Mountains for the election and coronation of the new Dwarf King following which he and Saphira fly out to Ellesmera to meet their mentors, the old Rider Oromis and his dragon Glaedr.

Here Eragon learns that Murtagh and he have the same mother, but Brom was Eargon’s father while Murtagh is the son of Morzan, the evil Rider who had betrayed the Riders to Galbatorix.  They also discover the secret for Galbatorix’s ever increasing power and the source of energy behind it.
Armed with that knowledge they  fly back to join the Varden in their siege of Feinster and from thereon we hope and wait for the fourth book to release and see if Galbatorix will ever be slain by our last free Dragon Rider.

At places Paolini shows a maturity to his characters and depth to his story that is often hard to find in many better fantasy series. But at the same time, he still seems to not have learned the art of lucid and tight prose. He goes on to waste pages on plotlines that hardly seem relevant to the plot and more like fillers in a badly orchestrated stage act.

While he has an interesting host of characters, sometimes they fall flat.  For instance, Roran has got to be one of the most monotonous and lackluster character in the history of fantasy fiction. Despite being  the only human without any strain of magic in him to be a prominent warrior  his struggles, his interactions with Eragon, his undying love for Katrina  and his unwavering loyalty to the Varden, show only a drab doggedness rather than valor or any heroic trait. There are many pages depicting battles in which Roran was involved, and if the only excuse for those many chapters are to show what a brave and courageous leader Roran can be, then it again confirms the fact that Paolini needs to sharpen his writing.

It is for such unwarranted and unwanted rambling and extension that Paolini chose to write another book in what was supposed to be a trilogy and disappointed a large part of his audience.  He has mentioned that he wanted to explore the moral quandaries that Eragon faced, but writing a whole new book for the series hardly seems like a wise recourse.  As the character of Eragon develops and comes closer to fulfilling his ambition to slay Galbatorix, there will be many places where he will have to put his judgment, his character, his mind, his body, heart and soul to test.  The question here is not of exploring the character through pages and pages, but how to portray it with effective lucid writing. What a better writer could have achieved in 300 pages, Paolini takes 738 pages.

Though I didn’t outright dislike this book, I was disappointed with it. I was disappointed at how it began, such that anyone who’s not read Eldest will hardly be in a position to understand all the nuances in the book.  I was dissatisfied with how he managed the plot, the characters and the flow of the story.  There were many parts which I thought were too contrived or shoddily thought out, but let’s not reveal all here. Last but not least, I was upset with the note on which it ended.  It was like flat beer, to say the least. It doesn’t leave you with eager anticipation for the fourth book because you can’t wait to see what happens, but because as any fantasy fiction series nerd would attest, you can’t not read what happens in the series, no matter how bad it is.

Let’s just hope Paolini makes up for this with some brilliance in the fourth book.

You can also read other reviews here.

Eldest : Book Review

Eldest - Christopher Paolini
Eldest - Christopher Paolini

Eldest is the second book in the Inheritance Cycle by Christopher Paolini. I’d read the first book almost 5 years back and had resisted reading the second one because I thought it would be boring, considering it was a good 700 pages or so and 5 years is too long a break to watch out for series.

When I discovered the book to be lying on my bookshelf, brand new and yet gathering dust, I decided to give it a try.  Eldest begins few days after the events in Eragon’s last chapter. The Battle of Farthen Dur over, the Varden, the rebel group opposing evil king Galbatorix’s reign over Alagaësia  (the fictional continent where the Inheritance Cycle takes place) are busy mourning their losses and preparing to move to Surda, the only place out of the empire’s reach.  Eragon, with the help of Saphira and Arya kills the shade Durza in the ensuing battle and earns the title of Shadeslayer.

When Eldest begins we see Eragon swearing loyalty to all the races- humans, dwarves and later to the elves. Shortly thereafter, Eragon, Saphira, Arya and Orik leave for Ellesmera where Eragon and Saphira will be trained as proper Dragon and Rider.  As the Varden needs his and Saphira’s help, they have to leave their training and fly back to join the Varden in their Battle on the Burning Plains. There he comes face to face with someone he thought was a friend who had died and learns the bitter secret of his true identity.

In a parallel plot line we see Roran considering how to ask for the hand of Katrina, his beloved in marriage from her father Sloan and trying to fight the Ra’zac who are chasing him because of his relation to Eragon. Despite his many attempts to keep the villagers safe, Katrina gets abducted by the Ra’zac and Roran must chase after them to save her.  He convinces his fellow villagers to fight the Ra’zac and rise against the Empire for the atrocities it has committed upon their village. He manages to stir up a following and they embark on a tumultuous journey to find a safe haven from the Empire.  Following a chance meeting with Jeod, who along with Brom had stolen Saphira’s egg from Galbatorix and had helped Eragon and Brom earlier, the villagers of Carvahall, Roran and Jeod set out to go to Surda where Roran meets his cousin, Eragon Shadeslayer.

This time Paolini infuses some maturity into his young characters and depicts their coming of age, their struggles to cope with adulthood and burden of responsibility very well. You can see his characters questioning and learning a great deal of things because of their roles in this war. That Paolini works on this process is very good indeed, but one does wish the process was more elegantly portrayed.

Throughout the book, it’s hard to detect any anticipation. The characters, the plot all seem to wander and roam at their own paces, rushing in places and meandering on unnecessary detours at many places. In attempt to show the cousins Roran and Eragon’s different yet similar struggles, Paolini harps again and again on similar stories and adventures with unexplained miracles and divine intervention sprinkled across here and there.  His imagination goes through sudden spurts but nothing extraordinary comes to the surface. In a tale involving humans, elves, dwarves, Urgals- a race which survives on their love for war and bloodshed and most importantly sentient intelligent dragons, Paolini could have cooked up a much more riveting and gripping work. Instead what we get is a mild mannered account of a war from various narrow perspectives and the occasional interesting insight.

It’s not a bad book, but it’s not a great book either. With Eragon, Paolini was sitting on a goldmine of potential brilliance.  He has pulled off a good second offering, but it falls short on many counts, the first and foremost being any lack of writing style that would stand out and add to the subject matter of the tale. With a good many interesting and eccentric characters, Paolini could have produced much witty dialogue, but all we see are few feeble jabs and exchanges.

In any case, I’m sure anyone who has read the first book will read this one (It’s the curse of reading series- one has to know what happens next) and whether they like Eldest or not, they will look forward to read Brisingr.

 

You can also read other reviews here.

Eragon: Book Review

 

Eragon- Christopher Paolini
Eragon- Christopher Paolini

The first in the Inheritance Cycle by Christopher Paolini, Eragon is the story of a fifteen year old farm boy who discovers a dragon-egg and goes on to become a Dragon Rider. Dragon Riders used to be powerful elves and humans who helped maintain peace in Alagaesia (the fictional land where the series is set).

Eragon, our eponymous hero, is a poor farm boy who stumbles across a blue stone in the mountains and collects it, assuming it to be a precious stone that can buy his family some meat. That stone turns out to be a dragon egg and when it hatches, Eragon names the dragon Saphira. As anyone with a hidden pet would attest, hiding a dragon from your family is even more daunting a task. To add to his troubles, it so happens that this dragon egg was stolen from the Empire and the evil emperor Galbatorix has sent his evil creatures, the Ra’zac to find it. When his house is destroyed by the Ra’zac, Eragon flees the village with Saphira and the old storyteller Brom in order to save his village from further harm.

Thus begins Eragon’s journey into the world of magic, elves, dwarves, Varden (the rebel army against the empire) and a destiny that he’s fated to fulfill. Armed with an old sword bequeathed to him by Brom and a few magic spells, Eragon has to fight many evils of the powerful empire before learning that he’s the only free Dragon Rider in the entire empire and that in his hands rest the fate of whole Alagaesia.

It is clear that there are many derivations and influences in Paolini’s first work, but that doesn’t come in the way of this book being an entertaining read. Paolini might not be the most accomplished writer, or a very original one at that, but he does a good job balancing the various plot lines with his fantastic characters. Dragons are one of the most grand and exciting creatures in the pantheon of mythical beasts, and Paolini has created a great formula with the Dragon Rider concept. Plus with his assortment of elves, dwarves, Urgals and humans, he’s put up an ensemble that can rank with some of the most loved fantasy series.

For a first book, Eragon is really good. Now one can only wait and see if Eldest, the next in the series can match up with the first installment.

 

You can also read other reviews here.